The Bavarian village of Oberammergau has staged the trial, crucifixion,
and resurrection of Christ nearly every decade since 1634. Each
production of the Passion Play attracts hundreds of thousands, many
drawn by the spiritual benefits it promises. Yet Hitler called it a
convincing portrayal of the menace of Jewry, and in 1970 a group of
international luminaries boycotted the play for its anti-Semitism. As
the production for the year 2000 drew near, James Shapiro was there to
document the newest wave of obstacles that faced the determined Bavarian
villagers. Erudite and judicious, Oberammergau is a fascinating and
important look at the unpredictable and sometimes tragic relationship
between art and society, belief and tolerance, religion and politics.