Artist and filmmaker Bruce Conner's (1933-2008) mobility was severely
limited for the last five years of his life, when he rarely left the San
Francisco home he shared with his wife, Jean. To aid in his physical
navigation of its spaces, he worked with assistants to install a
succession of solid brass handles in each and every room--surrounding
the stove, down the boat-like stairwell, inside the recesses of the
bedroom closet. At last count, the handles, a labyrinth of critical
support, numbered 163.
Still in situ after his death in 2008, the handles are arguably Conner's
last great work--at once physical and metaphysical, fragmentary and
elusive, elegant and anonymous. Together, they draft the ghost
architecture of Conner's final years, transforming the pedestrian into
something altogether different.
Will Brown is a collaborative project founded by Lindsey White,
Jordan Stein and David Kasprzak. Formerly based in a San Francisco
storefront, Will Brown's main objective is to manipulate the structures
of exhibition-making as a critical practice. Will Brown recently mounted
a solo exhibition at the Berkeley Art Museum/Pacific Film Archive.