In this innovative book, Gundula Kreuzer argues for the foundational
role of technologies in the conception, production, and study of
nineteenth-century opera. She shows how composers increasingly
incorporated novel audiovisual effects in their works and how the uses
and meanings of the required apparatuses changed through the twentieth
century, sometimes still resonating in stagings, performance art, and
popular culture today. Focusing on devices (which she dubs "Wagnerian
technologies") intended to amalgamate opera's various media while
veiling their mechanics, Kreuzer offers a practical counternarrative to
Wagner's idealist theories of total illusionism. At the same time,
Curtain, Gong, Steam's multifaceted exploration of the three titular
technologies repositions Wagner as catalyst more than inventor in the
history of operatic production. With its broad chronological and
geographical scope, this book deepens our understanding of the material
and mechanical conditions of historical operatic practice as well as of
individual works, both well known and obscure.