In fractal economies, derek beaulieu pushes the limits of poetry and
poetics by grinding language through the mill of photocopiers, found
material, collage, printmaking, frottage and Letraset--creating a new
language for the genre. These "fractal economies," or series of
increasingly complex replications of forms through the repeated
application of a fixed set of rules, challenge the status quo of poetry
and of the politics of language itself, which is, with respect to any
human script yet deciphered, capitalist in its very origin. Letters are
freed from their "normal" behaviour, machines are let loose to create on
their own and the borders between poetry and artwork are blurred. In an
intriguing and well-argued afterword, beaulieu also theorizes ways that
concrete poetry--poetry that deals with language in a physical, material
way--can move forward into the twenty-first century beyond the
limitations of the page, the author and even the poem itself.