Gert Jonke's prose ripples along like a piano étude, transcending its
meticulously constructed sequences to transport the reader into an
imaginary world. With a delightful combination of the ridiculous and the
sublime, Jonke explores surreal dimensions of space and sound, always
anchoring his flights of fancy in accessible imagery. More than any
other author, Jonke, a pianist turned writer, avails himself of
compositional techniques from classical music. Different characters
sound their own themes in cleverly orchestrated conversations. Opening
observations are restated at the end by another character instead of in
another key. Not surprisingly, the first-person narrator is a composer,
a young man who is all the more likeable for his difficulties: his
missing girlfriend and his withdrawal symptoms. The title is taken from
a collection of studies by Carl Czerny; the content is a literary tour
de force.