Christopher R. Weingarten provides a thrilling account of how the Bomb
Squad produced such a singular-sounding record: engineering, sampling,
scratching, constructing, deconstructing, reconstructing - even
occasionally stomping
on vinyl that sounded too clean. Using production techniques that have
never been duplicated, the Bomb Squad plundered
and reconfigured their own compositions to make frenetic splatter
collages; they played samples by hand together in a
room like a rock band to create a not quite right tension; they
hand-picked their samples from only the ugliest squawks and sirens.
Weingarten treats the samples used on Nation Of Millions as molecules of
a greater whole, slivers of music that retain their own secret histories
and folk traditions. Can the essence of a hip-hop record be found in the
motives, emotions and energies of the artists it samples? Is it likely
that something an artist intended 20 years ago would re-emerge anew?
This is a compelling and thoroughly researched investigation that tells
the story of one of hip-hop's landmark albums.