Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the
first major study of Salon caricature, a kind of graphic art criticism
in which press artists drew comic versions of contemporary painting and
sculpture for publication in
widely consumed journals and albums. Salon caricature began with a few
tentative lithographs in the 1840s and within a few decades, no Parisian
exhibition could open without appearing in warped, incisive, and
hilarious miniature in the pages of the illustrated press.
This broad survey of Salon caricature examines little-known graphic
artists and unpublished amateurs alongside major figures like Édouard
Manet, puts anonymous jokesters in dialogue with the essays of
Baudelaire, and holds up the
material qualities of a 10-centime album to the most ambitious painting
of the 19th century. This archival study unearths colorful caricatures
that have not been reproduced until now, drawing back the curtain on a
robust culture of comedy
around fine art and its reception in nineteenth-century France.