The romance publishing landscape in the Philippines is vast and complex,
characterised by entangled industrial players, diverse kinds of texts,
and siloed audiences. This Element maps the large, multilayered, and
highly productive sector of the Filipino publishing industry. It
explores the distinct genre histories of romance fiction in this
territory and the social, political and technological contexts that have
shaped its development. It also examines the close connections between
romance publishing and other media sectors alongside unique reception
practices. It takes as a central case study the Filipino romance
self-publishing collective #RomanceClass, analysing how they navigate
this complex local landscape as well as the broader international
marketplace. The majority of scholarship on romance fiction exclusively
focuses on the Anglo-American industry. By focusing here on the
Philippines, the authors hope to disrupt this phenomenon, and to
contribute to a more decentred, rhizomatic approach to understanding
this genre world.