Swamp Isthmus takes the stripped, lyric voice of Selenography, the
first book of Wilkinson's No Volta pentalogy, and confronts a
pre-apocalyptic vision of American urban life. Here, the city and forest
are one, as are the river and sewer. The ghost and the body are one, and
the buildings and the trees, the sidewalks and the switchbacks all fuse.
The poems in Swamp Isthmus create the flipside of the pastoral--the
urban returns to the rural, their fates inseparable. In this broken,
scattered world that still finds a way to be playful and imploring,
there is no respite in the trees and streams and no turning back on
nostalgia for either nature or the city. Though the second installment
of the larger pentalogy, Swamp Isthmus stands alone, archiving and
organizing, rehearsing words to hold in the mouth for just that moment.