The House of Clay is Peter McDonald's fourth book of poems, containing
lyrics which combine intense resonance of narrative and imagery with
powerful formal concentration. Autobiographical material, founded on a
childhood in Belfast during the troubled 1970s, is developed and
transformed by the book's other strands: poems on the contemporary
Middle East, and poems drawing on Greek and Latin sources (including
translations of Pindar and Virgil) build together into a moving and
complex meditation on personal and historical loss.
McDonald is one of the most widely-known (and most controversial)
critics of modern British and Irish poetry; his poetry builds into
itself the critical intelligence and anger of that context, along with
the visionary intensity of an original, and impassioned imagination. The
House of Clay creates a new and uncompromising kind of Irish poetry, in
which the ancient and the modern, the pagan and the Northern Irish
Protestant, find a piercingly clear register