Through the finest traditional Solomon Islands art in Australia's
museums and galleries, Varilaku explores kastom beliefs in ancestral
ghosts, the world of spirit beings, ocean-bound raiding expeditions, and
the Indigenous aesthetics of the self--the use of adornments to express
identity and status from the mid-19th century to the mid-20th century.
The earliest accounts by travelers to the region note the particular
finesse, care, and attention given by Solomon Islanders to their arts.
Pitch-black surfaces, gleaming inlaid sections of shell, and distended
faces are only some of the distinct features of the works in Varilaku.
Figurative sculpture varies from one island to the next: abstraction in
the northern islands, clustered shell inlay in the southern islands, and
sublime naturalism in the western islands.